Happy Halloween

BOOOOOOOOOOOOOOooooooooo
7:09pm.
No trick or treaters yet.
Sigh.

UPDATE: the 1st bunch of 12, yes 2 groups of 6, arrived at 7:16, then we had a smattering of trick or treaters until 8:49 when we turned out the pumpkin.
OF NOTE: many tricker or treaters said trick or treat, smell my feet here, more than anywhere else I've lived.
hmmmmmmm.

Pumpkin 2011

I'm hoping to carve another pumpkin today, but if not, I did do this one.
I brought it over to the Hill Potters' Guild for the Burr House Tea Room.
If I could make a living carving pumpkins I would like that.

Scenic Shot with Pumpkin #1
Burr House Craft Gallery and Tea Room to the left

Scenic Shot with Pumpkin #2
Guild Hall, home of the Weavers' and Potters' Guilds, to the right

Raku and Smoke Firing - Hill Potters' Guild Backyard

I did my first raku firing ever yesterday in the back parking lot of the Hill Potters' Guild.It was a cool, damp fall day, not so great for hanging out but fantastic for firing up a kiln.

raku supplies: sawdust, shredded paper, heat resistant gloves, masks, pots, snacks

We needed sawdust, shredded paper, propane, pyrometer, the thing that channels the flame to the kiln (completely forget what this is called right now), a kiln sitter (cone 06), gloves, masks, metal containers to act as fire pits to receive the heated clay objects.

setting up the kiln

raku kiln BEFORE

I chose to raku 4 objects: three small bird figures and a large human figure. I made sure the pits I placed my work hot from the kiln had the same material in them--(a base of sawdust and then shredded paper around it) so I could assess my choice of glazes better. I chose not to use the pits in the ground but metal contaimers as my pieces were tall and small.
Two other guild members, Kathy and Bev, were also rakuing and leading me through it.

There were some surprises.


raku kiln AFTER

empty raku pits - sawdust bottom then shredded paper

I had to suit up before I could get close to the kiln to take the door off and get my work out and in to the pits.


My mask was poor. I really need a better one.
It was so smoky. I wasn't ready for all the smoke.

smoky pits with hot ceramic pieces from the kiln in them

smoke from the pits

While we waited for our pieces to cool off I experimented with smoke firing.

This is the easiest surface effect I have tried yet. Get a metal garbage can, put your piece in the can, crumple newspaer around it and set it on fire. Add more paper as needed depending on how your piece looks. Sometimes we put a lid on the can to create even more smoke in it.

adding fuel to the fire

burning paper all around my sculpture

dying embers

ashes

smoke firing with lid on to make it more smoky

final results