Showing posts with label prints. Show all posts
Showing posts with label prints. Show all posts

Sunday, August 02, 2015

Artist in Residence-Pt 1 - Day 2 - Mill Pond Gallery, Richmond Hill


My first real working day in residency was spent sorting myself out. And in between that I had a few visitors.

My first visitor was a father with his daughter who were looking for a bathroom for her. So my good deed for the day was accomplished. Later my collaborative ceramic friend Minda came by with her husband and they looked at my work and at the same time another artist dropped in.

The Gallery was quiet but I expected it.

I couldn't decide what to do, or even what to choose to do, so I did a simple task of reclaiming some canvases.
Even this simple gessoing is a pain in my small work spaces. But here I worked outside, using the garden hose to first wash the canvases off (5 years in storage) and then right after painting it rained.

No harm done. I hope to get something onto them today or tomorrow. I want to start.

waiting for tomorrow


Residency Info and Hours:
Mill Pond Gallery
314 Mill Street
Richmond Hill, ON


Gallery Open/Artist in Residence
July 31-Aug 6
HOURS in attendance:
Fri July 31: 1pm-8pm
Sat Aug 1: 12pm-5pm
Sun Aug 2: 12pm-5pm
Mon Aug 3: 1pm-8pm
Tues Aug 4: Gallery Open 1pm.
NOTE: I'm in attendance: 5:30pm-8pm
Wed Aug 5: 1pm-8pm
Thurs Aug 6: 1pm-10pm


The Interior of the Fridge Upon First Look: 3 bottle of wine, juice with Minion label, water, ice tea, old fruit, plates, container of peaches, and possibly my first still life subject.


Saturday, August 01, 2015

Artist in Residence Pt 1- Day 1 - Mill Pond Gallery, Richmond Hill

The OPEN window
 I started my first of two artist in residence weeks at the Mill Pond Gallery yesterday. This site is a house now used as the home of the RHGA: Richmond Hill Group of Artists. I am a new member. 

from home studio to temporary home studio

Lucky for me, they decided to try an Artist in Residence program over the summer to coincide with the Mill Pond Concert series across the street at the (yep) Mill Pond. 

front room with fireplace and mantle
large front window
front room
The Gallery is given over to the artist or artists to display their work and to make work. For me, it is an opportunity to simply see my work. I have one small wall in my studio, to see my artwork. It took me the whole day to transport, and install my work. The labels are done for the downstairs area but much is left to do upstairs. I'll spend some of the (short) day today doing that but have to begin my work today. 
hallway space
My plans for the week including carving a block a day for my residency and making a multi-image print representing my time here. In addition I will start my next large scale suburban-themed woodcut and a large scale painting. Topic still to be decided. These projects will continue into my second residency at the end of the month.

stairwell

funny stuff all upstairs
This is a real treat. I have searched my archives and on display are all my big pieces. Some new, some old. It feels like a retrospective and a new start at the same time.
 
the sun sets on Day#1

Drop by anytime I am around. 
Residency Info and Hours:

Mill Pond Gallery
314 Mill Street
Richmond Hill, ON


Gallery Open/Artist in Residence
July 31-Aug 6
HOURS in attendance:
Fri July 31: 1pm-8pm
Sat Aug 1: 12pm-5pm
Sun Aug 2: 12pm-5pm
Mon Aug 3: 1pm-8pm
Tues Aug 4: Gallery Open 1pm.
NOTE: I'm in attendance: 5:30pm-8pm
Wed Aug 5: 1pm-8pm
Thurs Aug 6: 1pm-10pm
 
BONUS *rainbow* on my way home



Friday, October 04, 2013

We've Created a Monster! New Works by Tim Hunt and Katie Argyle.





We've Created a Monster!
New Works by Tim Hunt and Katie Argyle
Dovercourt Community Centre 
October 4th-31st, 2013

Tim Hunt is showing his urban masks alongside my linocut prints, woodblocks and paintings.


Given we both collect material, the concrete and the abstract stuff,


on discussing this new show and trying to conjure up a title for our work, 


the idea of Frankenstein's monster kept creeping to the surface.


If you are interested in having a look and you are in the area,

drop by the Dovercourt Community Centre, 411 Dovercourt (in Westboro), Ottawa  

Thursday, June 03, 2010

This Weekend June 5/6 in the Glebe - The New Art Festival

Hard to believe the year has already brought us to the doorstep of the New Art Festival. Last year I missed this show. I think I've missed only 2 or 3 since it started, so I am glad to be back this year. My location is #27 Patterson, which is an area I've never been in so that's a new thing too. And another new thing will be my booth full of prints! I've amassed quite a collection of them since I started school, 4 years ago now, and I am happy to bring some of these works out into the light of day. I actually have a long history with printmaking in my life, having been an hand-set type printer using a Vandercook proof press over 25 years ago. This pre-dates my foray into the world of craft by 3 or 4 years but dovetails with my calligraphic pursuits. I've always pursued visual art, though my path gets clearer and clearer with every year that passes. It's completely clear now that I'll never stop making art no matter what I am doing otherwise or where I am or what tools or materials are at my disposal. I just have to do it to be happy. It'll be nice to be surrounded by others at the New Art Festival who feel the same way.

Here are a couple of prints that will be on display:

Keep on Trippin' relief bleedprint, conte & charcoal on BFK Rives 24" x 24" 2009


Zombies Need Hugs lithograph on stonehenge 15" x 18" 2010

AND

If you are a part of the next Ottawa art in the park event, the Urban Art @ Minto Park show to be held July 24th, from 10-5pm at Minto Park on Elgin St. across from Jack Purcell CC, which is organized by myself and Tim Hunt, then please stop by #27 Patterson and pick up some of these nifty handouts to help us promote the show. Spread the word amongst art lovers so they can find you and support you at your next show.

We love art lovers.



Sunday, January 25, 2009

Year of the Ox Print Exhibit

I just got word that the Year of the Ox print exhibit is officially online here.

Like last year, a group of people answered Proof Studio Gallery's call for traditional prints to celebrate the Year of the Ox.

This was my submission

Stubborn as an Ox etching, aquatint



Here's an excerpt from an article about what the Year of the Ox holds in store for us. Click here to read the full article to see what the Year of the Ox means to you personally.

According to Chinese Astrology, 2009 is a particular type of Ox year, it is an Earth Ox year. As well as the cycle of twelve Chinese Year Animal signs, there is a cycle of five elements (earth, metal, water, wood and fire), so a complete cycle is 60 years. There are five types of Ox year: Earth Ox, Metal Ox, Water Ox, Wood Ox and Fire Ox.

The pre-dominant element of the Ox is earth, so in an Earth Ox year, the earth will be especially intense. The earth element is about stability and any movement will be slow and steady. The Ox is considered to be the most persevering and responsible of the twelve animal signs and its influence will make us more hard-working and inspire us to bring some order to our business and home lives after the turbulence of the Rat year.
Earth holds back water, so communications can easily be hindered and extra care will be needed in negotiations to avoid misunderstandings. Ploughing on one step at a time will bring greater rewards than trying to find short-cuts, quick fixes and fast bucks. Put the pedantic nature of the Ox to good use by checking all the small print to avoid broken promises, for this is a year where we can run into muddy waters. Ensuring that your messages are crystal clear will avoid you getting stuck. During business negotiations avoid sitting such that you are facing North-east. Sitting with your back to the North-east may give you the upper hand, but if you are looking for a win-win scenario, avoid either party facing the north-east across the table.
Ox year is time to be persistent without being pushy. Over-aggressiveness and over-ambition will not force closed doors open. Rather, wait for the sound of the bolt easing back before you give a gentle nudge and make your entrance bit by bit. This is not a time for heat of the moment decisions and uncertainty will hang around a lot of solutions.


In the climate of credit crunch, the Ox influence will bring about consolidation in many industries. A practical down to earth approach will serve better than elaborate strategies for many of us. Caution will still blow in the wind, yet success and prosperity will come to the lucky ones.According to Chinese Astrology, 2009 is a particular type of Ox year, it is an Earth Ox year. As well as the cycle of twelve Chinese Year Animal signs, there is a cycle of five elements (earth, metal, water, wood and fire), so a complete cycle is 60 years. There are five types of Ox year: Earth Ox, Metal Ox, Water Ox, Wood Ox and Fire Ox.

The pre-dominant element of the Ox is earth, so in an Earth Ox year, the earth will be especially intense. The earth element is about stability and any movement will be slow and steady. The Ox is considered to be the most persevering and responsible of the twelve animal signs and its influence will make us more hard-working and inspire us to bring some order to our business and home lives after the turbulence of the Rat year.
Earth holds back water, so communications can easily be hindered and extra care will be needed in negotiations to avoid misunderstandings. Ploughing on one step at a time will bring greater rewards than trying to find short-cuts, quick fixes and fast bucks. Put the pedantic nature of the Ox to good use by checking all the small print to avoid broken promises, for this is a year where we can run into muddy waters. Ensuring that your messages are crystal clear will avoid you getting stuck. During business negotiations avoid sitting such that you are facing North-east. Sitting with your back to the North-east may give you the upper hand, but if you are looking for a win-win scenario, avoid either party facing the north-east across the table.


Ox year is time to be persistent without being pushy. Over-aggressiveness and over-ambition will not force closed doors open. Rather, wait for the sound of the bolt easing back before you give a gentle nudge and make your entrance bit by bit. This is not a time for heat of the moment decisions and uncertainty will hang around a lot of solutions.

In the climate of credit crunch, the Ox influence will bring about consolidation in many industries. A practical down to earth approach will serve better than elaborate strategies for many of us. Caution will still blow in the wind, yet success and prosperity will come to the lucky ones.

Wednesday, December 31, 2008

Nuit Blanche in Toronto - October 4th, 2008.

Okay here is the last catch-up post, closing out 2008 on a good note. It's a doozy. Get some coffee and settle in. If you didn't get to Nuit Blanche you will probably want to go next year after you read this.

We went to Nuit Blanche in Toronto in early October. This is an all night art event. There were over 300 separate outdoor and indoor exhibits of all kinds of art. There were thick guidebooks and maps and you really had to think and plan where you wanted to go. It started at sundown and went until sunrise. we started at 9:30pm and finished at 4am. We walked all that time, except for a couple of extremely crowded streetcar and subway rides. When we emerged from the car park it was like Canada day here in Ottawa. That's the only other experience I have had with crowds that large. People everywhere and really fun, really happy and relaxed attitude. Everyone was out to discover things. They were curious and talking about art, and art was everywhere.
Just heading over to the info tent we came across Boxheads. Two people with boxes on their heads giving out flyers for a performance. They couldn't see anything. You just walked up to them and took the flyer. Kind of creepy and interesting. Simple and strangely effective.
Heading over to the subway to get to our first destination, the Distillery District, we walked through the Eaton Centre and saw this inflatable construct.
We had to stay focused to stay on track.

It was huge and had I known you could stand in it and walk around inside it we would have made the trek to go up and get in it but I am easily distracted

so we had to stick to the plan.


After the subway ride and a streetcar ride we walked a few blocks and found the Distillery group of buildings. Old brick building with brick or cobblestone streets, open only to walkers, no cars, it certainly gives a great first impression. I was looking for a specific building that had a print of mine on display that I made specifically for the Nuit Blanche Secrets Show at Proof Gallery.

Leading up to the building where Proof Gallery was, we walked through an alleyway full of constructions and projections. As you walked through the light you were part of the show.

We found Proof Studio Gallery and the wall of prints
(this one is mine) and after meeting the happy and busy owner we took a look around the rest of the building. In the lobby was an art installation called secrets. You could write a secret on a small piece of paper and tie it to a helium balloon and it floated up to the ceiling. As you walked through the balloons you could read the anonymous writings. I grabbed a few of the secrets laying on the ground cause the balloons had popped but I never felt more like a yellow-bellied thief than I did taking these secrets! In the end though, they inspired one of the handmade books I made for my own secret-themed apprenticeship. It was just a coincidence that they too were doing secrets. Guess it's in the air.

From here we covered the Distillery grounds and found a jazz band playing outside. It was such a beautiful evening. Like a summer night and not an October evening. It wouldn't have been half as much fun doing this in a cold rain.

We consulted the guidebook and it led us to Kensington market where they were having a pie eating contest.
I was more interested in the light-up hair thingies and the hat and wings of the two girls in front of us. We left there and entered a church across the street where there were some singers performing, with a big screen TV to show it to the crowd. The pews were super comfy and there was a very warm feeling being in this old church so full of life and love. It really was a magical atmosphere. I've never held a particular fondness for Toronto until this evening. It's made me think of moving there, except it's even more expensive than it is here. Still. It's not out of the question.

From here we headed out to see the waterfall. Everyone was talking about the waterfall. It was a streetcar ride west and then a walk of at least 6 or 7 blocks. By now it was around 1am and I was really losing steam. Still, as we got closer to the falls the people were talking about it even more so I was really spurred on by that. And then, all of a sudden we saw it.
Out of the third story of an abandoned buidling was a roaring waterfall. The water was landing in a jumble of childrens plastic toys. It was very impressive. I wondered how long they took to set this installation up and what kinds of city permits were involved. It was very impressive. We decided to follow this street and came across another installation that I just love.
These were glowing sound boxes as as you approached them you would hear the sounds of apartment life: cats, voices, doors, elevator doors etc. Not only was the sound interesting but the light they cast was so moody. My pictures of the installation make me want to paint to try to capture the feeling this light creates in me. As we left there I looked up to see a fake blazing fire in an old warehouse. I thought it was just the full corner but it continued down the whole block.


These were projections of a fire done from the inside of the building out onto the windows. They felt real but the lack of sound and heat and smoke made you do a doubletake. This whole street was a great find only to be equalled by what we found a block later. (By now it was well past 2am and I was full of energy, just anxious to see what else we'd find.) Walking past a packed (!) outdoor patio we saw a Yoko Ono installation. Hanging from a crane with stadium lights on it was this silk sign. It was surprisingly moving. I was surprised I felt that way.
Once past the sign you saw a street filled with trees with wishes written on white tags from their branches. Yoko encouraged people to write their wishes onto the tags and tie them to the trees. Actually everything was covered with wishes: trees, bushes, tall grass. I flipped a few around and read "anyone but Harper" (we were going into an election and this wish, alas, did not come true),

This one wished and wondered who would clean this mess up in the morning

And this person wished for the Iraq war to be over and to give peace a chance.
At the end of the wish tree street there was a fake snowstorm
and a sauna set up. Had it been colder this would have been a fantastic find. As it was we pressed on. Inside the building next to it they were showing Russian films and outside on the grass was a small sign telling us that
honesty is the best poetry. Other signs along the way were these No Bad Art posters stapled to telephone poles.

I looked forward to seeing them along the way. In addition there were 35 strategically placed signs talking about art. A bunch were clustered on the shoulder of a road in the grass. Two favorites were these
Choose one or two or more artists you've experienced tonight and decide to follow their work over the years... take a snapshot of this moment in time, and Focus On The Process The Product Will Follow
We walked to the streetcar, then took the subway over to the Gardiner Ceramic Museum which was free admission and open all night. Mexican artists were working on a Day of the Dead altar inside. Outside, at the bus stop, I saw this which was amusing

We hopped on the subway and then walked back to City Hall where the car was. It was 3:30am and the streets were as busy as when we started out at 9:30pm. There were still lineups at the food trucks. I wanted to take in the lights at City Hall for awhile before we left. So we found a bench and watched the show. Each floor was programmed to follow a pattern and I saw the lights play Tetris, and Pong, and count, and here is a figure dancing across.
Sitting there we wondered if we should stay to watch the sun come up, about 2 hours from then. We decided to call it a night and head back to where we were staying as we had to get back on the road the next day to get home.
We were blessed with fantastic, summerlike weather for the drive home and decided to make a small pitstop in Cobourg to go visit the water.
It never looked better. I can almost imagine a summer day looking at this photo and I need that cause we are going into my worst month, the one that depresses me the most: January.
So long 2008, you're in the rear view mirror now.
2009 step right in.